2/13 ブログのポスト
Samurai Champloo
Samurai Champloo is an incredible journey. From the director of Cowboy Bebop, an undeniable masterpiece, Samurai Champloo follows renegade swordsman Mugen, disgraced samurai Jin, and teenage girl Fuu. It depicts the Edo period around 80 years after the end of the Sengoku period but blends it with modern speaking and behavior. Like Cowboy Bebop, the series blends episodic storytelling with a main story through-line. The main story episodes are where this story shines, diving into the complicated pasts of the three main characters as they journey to find Fuu's father, the samurai that smells of sunflowers. The story deals with lost souls struggling to find any means of purpose in life as their roots in any particular person or place are cut continuously. While the often brash and headstrong characters keep the tone light for the most part, there is a strong philosophical basis within the show. The show is incredibly stylish with its blend of hip-hop and classical Japanese style. The now-defunct studio Manglobe created an art and animation style that perfectly matched the unique setting, and the wonderful soundtrack by legendary, late producer Nujabes and his frequent collaborator Fat Jon is both meditative and rebellious in a way that captures the gung-ho yet lackadaisical behavior of the show's characters.
Because the story tends to utilize so much modern slang and behavior, it is becoming easier for me to pick up on more casual modes of speaking. Granted, I would never use such crass and improper speaking in class, but it is interesting to see what casual vernacular is very interesting to see. The inclusion of Nujabes' work is also a valuable cultural introduction. I have watched this show many times, and I have been a huge fan of Nujabes' work since early high school. His work continues to greatly influence both Japanese and American hip-hop and R&B music.



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